WHY • You want to communicate something in a way that will engage your audience and be remembered.
WHAT • Whether you are preparing a presentation, a promotional campaign, or writing a book, the information design and symbolism in a functional illustration can help you get your message across.
In editorial illustration the ideation phase is crucial. To come up with great concepts and smooth out the collaboration, I ask critical questions during the briefing and provide options at each step. I always validate an idea before continuing with it, and aim for easy to read images that are beautiful, fun and smart.
I have a special interest in illustrating technical and scientific topics, as well as subjects about psychology and the mind.
Looking for an illustration? Please contact me through hello@liea.nl or one of the social networks below. Thank you!
Graphic journalism is a way for me to make sense of social phenomena, and present my findings to the reader in a uniquely accessible and compelling way. Most of the methods involved stem from my training as an anthropologist, such as fieldwork and (desk) research, conducting interviews and data analysis.
I have done both visual essays (based on literature research) and graphic journalism (based on fieldwork). While my stories are always grounded in reality, I like to tell them from a personal perspective that gives readers something to agree or disagree with, to help them figure out their own perspective.
In a time of 'fake news' and a fiercely competitive economy of attention, alternative forms of journalism like this are both refreshing and necessary in order to cut through the noise and reach today's audience.
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My personal work is a place to experiment, sometimes involving related fields like design and architecture. I enjoy exploring new media ranging from ink and paper, to wood and fabrics.
High quality prints and sometimes originals of my personal work can be found through my shop.
I am a Dutch illustrator based in Amsterdam, the Netherlands.
My passion is to create images that are both “good to see” and “good to think”: to translate great ideas into visuals that are aesthetic and meaningful.
As an artist I am mostly self-taught, with an academic background in artificial intelligence (2008) and cultural anthropology (2012). My limited art school experience comes from the School of Visual Arts (New York), where I followed the illustration residency in 2019. I thankfully draw from this mixed background when illustrating complex topics, aiming to turn them into accessible, visually pleasing stories that anyone can understand.
Topics of special interest include: computer science and technology, architecture and urban planning, protest movements, and work in the age of automation.
I work with a mix of digital and traditional media, using a Wacom tablet and sometimes integrating textures made with ink.
When I am not drawing I like to practice recurve archery and learn new languages.
I translated the Pictoright presentation to English and hosted an online talk + Q&A to continue the conversation on generative AI and creative professions with a wider audience.
For their annual member meetup, Pictoright invited me to give a talk and participate in a panel discussion on generative AI and what to make of it as artists.
I started my second collaboration with Studio Monnik, developing visualisations for an exciting and creative project about the energy transition.